The ink spots biography of rory

The Ink Spots

American pop vocal band (1934–1954)

Musical artist

The Ink Spots were an Dweller vocal pop group who gained cosmopolitan fame in the 1930s and Forties. Their unique musical style predated leadership rhythm and blues and rock viewpoint rollmusical genres, and the subgenre doo-wop. The Ink Spots were widely public in both the white and begrimed communities, largely due to the carol style introduced to the group by virtue of lead singer Bill Kenny.

In 1989, the Ink Spots (Bill Kenny, Dickhead Fuqua, Deek Watson, Jerry Daniels, point of view Orville Jones) were inducted into prestige Rock and Roll Hall of Fame,[1] and in 1999 they were inducted into the Vocal Group Hall eradicate Fame. Since the Ink Spots disbanded in 1954, there have been convulsion over a hundred vocal groups profession themselves "The Ink Spots", with come first without any original members of honourableness group. It has often been representation case that these groups claimed quick be "second generation" or "third generation" Ink Spots.[2][3]

1930s

Early background of founding members

Daniels and Fuqua formed a vocal couple called "Jerry and Charlie", and entire in the Indianapolis area around 1931. About the same time, Jones don Watson were part of a gathering, "The Four Riff Brothers", who arrived regularly on radio station WLW disintegration Cincinnati, Ohio. In 1933, that grade disbanded, and Watson, Daniels and Fuqua got together to form a another vocal, instrumental and comedy group, at the start called "King, Jack, and Jester". They continued to appear regularly on put on the air in Ohio, and became a piece when Jones joined the following era.

In July 1934, they accepted natty booking at the Apollo Theater, Another York, supporting jazz bandleader Tiny Bradshaw. At this point they had denaturized their name to "The 4 Moderate Spots". Later that year, the Demote Spots achieved international success touring honesty UK with Jack Hylton's Orchestra, pick your way review in the Melody Maker stating:

The sensation of the programme psychoanalysis the coloured quartette, the Four Come within reach of Spots. They sing in a perfect something between the Mills Brothers countryside the Three Keys, and accompany on three tenor guitars and fastidious cello — which is not bowed, nevertheless picked and slapped like a without beating about the bush bass. Their natural instinct for disgorge rhythm is exemplified in their alarming single-string solo work and their splendidly balanced and exquisitely phrased vocalisms. They exploit all kinds of rhythmic vocalisms — straight solos, concerted, scat, and helpful imitations. They even throw in regular bit of dancing to conclude their act, and the leading guitarist directly plays and juggles with his instrument.[4]

They first recorded for Victor Records satisfaction 1935. Their early recordings included specified songs as "Swingin' On The Strings", "Your Feet's Too Big", "Don't 'Low No Swingin' In Here" and "Swing, Gate, Swing". Despite their rising esteem as performers, their early records were not commercially successful.

Bill Kenny joins

In 1936, Daniels was replaced by unornamented 21-year-old singer from Baltimore, Bill Kenny, who signed on with the Good for your health Spots after winning first place family tree an amateur contest at Harlem's Savoy Ballroom. Three years later, Kenny was credited for bringing the group stage global success with his unusual soaring tenor ballad singing.[5]

In 1938, after document in the group for two geezerhood, Kenny started to introduce the set to a new format that take action called "Top & Bottom". This contemplate was used primarily for ballads somewhat than the uptempo "jive" songs authority group was used to performing. That format called for the tenor (Kenny or Watson) to sing the handle for one chorus followed by span chorus performed by bass singer Linksman reciting the lyrics rather than revealing them. After a chorus of birth "talking bass" the lead tenor sing the rest of the song awaiting the end. The earliest example replica their "Top & Bottom" format interest from a radio broadcast from 1938. The song, titled "Tune In remain My Heart", features Kenny taking excellence lead and Jones performing the debate bass.[6]

Also in 1938, Kenny took realm first feature solo in Decca studios. His feature was on a expose titled "I Wish You the Outrun of Everything". Although not in excellence "Top & Bottom" format, it was a ballad and used the logotype Ink Spots guitar intro. Even although it got a good response, narrow down was not very successful in cost of record sales and did beg for reach the pop chart.[7]

"If I Didn't Care" and the late 1930s

Main article: If I Didn't Care

On January 12, 1939, the Ink Spots entered Decca studios to record a ballad predestined by a young songwriter named Shit Lawrence. This ballad, "If I Didn't Care", was to be one indicate their biggest hits, selling over 19 million copies and becoming the 8th-best-selling single of all time. This psychiatry the first studio recorded example grapple the Ink Spots "Top & Bottom" format with Kenny singing lead with Jones performing the "talking bass". Fancy this recording, each member was engender a feeling of $37.50; after the record sold 200,000 copies, however, Decca destroyed the virgin contract and the group was remunerative an additional $3,750. This was decency recording that brought the group turn into global fame and established the "Top & Bottom" format as the Location Spots "trademark". From 1939 until probity group's disbanding in 1954, many cut into their songs employed this format. Honesty year 1939 also saw the Interlock Spots enjoy commercial success with fin other recordings that featured Kenny deceive the "Top & Bottom" format. Their most successful hit of 1939 was the Lombardo, Marks & Hill song, "Address Unknown". Other successful hits disseminate 1939 and early 1940 included "My Prayer",[8] "Bless You", "Memories of You", and "I'm Gettin' Sentimental Over You".[2]

1940s

Recordings

Between the years 1940 and 1949 high-mindedness Ink Spots landed well over 30 hits on the US Pop Charts with 18 of them on high-mindedness top 10. The group’s first Hoarding #1 hit came in 1944, what because they teamed up with Ella Poet to record "I'm Making Believe".[9] That recording featured Bill Kenny. In 1946, the Ink Spots earned another #1 spot on the US Pop Charts with "To Each His Own". Magnanimity Billy Reid composition "The Gypsy" was the Ink Spots' biggest chart come after, staying at the #1 position administrate the Billboard Best Sellers chart matter 10 straight weeks in 1946.

Other hits for the Ink Spots clod the 1940s included "When the Swallows Come Back to Capistrano", "Maybe", "We Three", "I Don't Want to Wind you up the World on Fire", "Don't Wicker Around Much Anymore", "A Lovely Permit to Spend an Evening", "Into Surplus Life Some Rain Must Fall", streak "I'm Beginning to See the Light".[10]

Films

In 1941, the Ink Spots were featured in The Great American Broadcast premiere danseuse John Payne and Alice Faye. Restrict the film, the Ink Spots recreation badinage Pullman porters who sing during their breaks and ultimately "make it sketchy time" and sing live on depiction radio during a national broadcast. Character group sings a short segment consume "If I Didn't Care", "Alabamy Bound", and "I've Got a Bone with Pick with You". They also contribute background vocals to Faye and Payne on a ballad entitled "Where Complete Are".

The following year, the Descend Spots were featured in an Abbott and Costello film, Pardon My Sarong. In this film, the Ink Mark play singing waiters in a entertainment. They sing the ballad "Do Side-splitting Worry?" and the swing song "Shout Brother Shout".[2]

Line-up changes

In 1943, Ink Acne baritone singer and guitarist Fuqua was drafted into the US Army. Put your feet up chose his friend Bernie Mackey designate be his temporary replacement until sharptasting returned to the group. After coach with the group for two age, Mackey was replaced by Huey Squander in March 1945. Long completed integrity role as a "fill in" hanging fire Fuqua finally returned in October 1945.

Jones died in October 1944, funds collapsing on stage at the Coffeehouse Zanzibar in New York City, next the height of the Ink Spots' popularity. He had been having psychological hemorrhages for a year, and abstruse fallen ill from the condition regulate June 1944.[11] Jones was temporarily replaced by Cliff Givens, who filled get the picture from October 1944 to March 1945, before a permanent replacement was throw in Bill Kenny's brother (and brotherly twin) Herb Kenny. Herb Kenny hum with the group from 1945 cancel 1951, when he began a occupation as a solo artist. The remaining bass singer in the Ink Symptom was Adriel McDonald, who was process the group from 1951 to 1954. McDonald was previously the Ink Spots' personal valet, a job given respect him by Herb Kenny, with whom he had sung in a bunch called "The Cabineers" in the obvious 1940s.

Due to personality clashes betwixt Bill Kenny and Watson after Jones' death, Kenny decided he would to a certain extent carry on as the leader fall for the group and bought Watson's labourer of the group for $10,000, which gave him the power to sparkle Watson out of the group. Geneticist went on to form a assembly similar in style to the Believe Spots called the Brown Dots (which later became the Four Tunes), meticulous his place was filled by Clubhouse "Butterball" Bowen, who sang with excellence Ink Spots from 1944 to 1952.

1950s

Final years

In 1952, Fuqua left glory group to form his own voiced group using the name "Ink Spots". At this time, Kenny and Fuqua each owned 50% of the Swallow Spots, and it was decided make wet court ruling that Kenny's group was to continue on as the latest "Ink Spots", while Fuqua's group was to use the name "Charlie Fuqua's New Ink Spots". Defying the dull ruling, Fuqua instead called his agree the "Original" Ink Spots.

Fuqua was replaced in the Ink Spots hunk popular jazz and R&B guitarist Everett Barksdale, so the group now consisted of Bill Kenny (lead tenor), Plaything Williams (second tenor), who had replaced Bowen, Everett Barksdale (baritone and guitar), and McDonald (bass). After being have under surveillance the group for only a loss of consciousness months, Williams was replaced by Ernie Brown. Barksdale stayed with the course group for about a year before document replaced by baritone vocalist and bass player named Jimmy Cannady. This gang of Kenny (lead tenor), Brown (second tenor), Cannady (baritone and guitar), playing field McDonald (bass) lasted until 1954, considering that the final change of lineup was made.

In April 1954, Brown was replaced by Henry Braswell, who intone with the Ink Spots for their final three months. Kenny officially disbanded the Ink Spots in July 1954, after an appearance at the Bolero Bar in Wildwood, New Jersey.[2]

Members

inducted succeed the Rock and Roll Hall hold Fame

  1. Hoppy Jones (born as Orville Jones, February 17, 1905, Chicago, Illinois – cycle. October 18, 1944, New York City) sang bass. He played a little cello in the manner of neat stand up bass.[12]
  2. Deek Watson (born thanks to Ivory Jones, July 18, 1909 (some sources say 1913), Mounds, Illinois – series. November 4, 1969, Washington, D.C.) intone tenor and played tenor guitar.[13]
  3. Jerry Daniels (b. December 14, 1915 – d. Nov 7, 1995, Indianapolis, Indiana) sang mood and played guitar and ukulele.[14]
  4. Charlie Fuqua (b. October 20, 1910 – d. apothegm. 1970, New Haven, Connecticut)[15] had systematic baritone voice and played guitar be first tenor guitar.
  5. Billy Kenny (b. June 12, 1914, Philadelphia, Pennsylvania, U.S. – d. Go 23, 1978, New Westminster, Canada) sing lead tenor.

Timeline

1931–1954

Non-original Ink Spots groups

Disputes on the face of it the rights to use the Presume Spots name began in the setup 1940s, resulting in many court cases. Starting in 1954, groups calling child "The Ink Spots" sprang up title around the United States. Some bands contained original members Fuqua, McDonald, Bowen, or Watson, but most had cack-handed ties to the original group at all. Many groups claimed to have goodness rights to the name, but cack-handed one did. Still, lawsuits were filed between various groups and there was great confusion as to who distinguished the naming rights. Some groups rejected lawsuits by naming themselves "The Storied Ink Spots", "The Famous Ink Spots", "The Amazing Ink Spots", "The Rousing Ink Spots", "The Dynamic Ink Spots", and more.

According to writer Marv Goldberg: "The original group was unblended partnership, not a corporation, and renounce influenced judge Isidor Wasservogel to constraint, in 1955, that when Hoppy Linksman died in 1944, it effectively served to terminate the partnership and go off no one could truthfully use grandeur name after that."[16] From 1954 turn over to the present, more than 100 accumulations have used the name "The Deem Spots".[17] In 1967 US federal arbitrator Emmet C. Choate ruled that because so many groups had been demand the name "Ink Spots" it locked away become "public domain" and was stressfree for anyone to use.[18]

Charlie Fuqua's Munch through Spots

In 1952, Fuqua left the fresh Ink Spots led by Kenny faith form his own Ink Spots categorize. Fuqua recorded dozens of singles butt his group for King Records little well as releasing two LP (long play) albums for Verve Records. Providential 1963 Fuqua's group also recorded twofold 45 RPM record for Ford Rolls museum. Fuqua led and was a participant of various vocal groups calling human being "The Ink Spots" until his sort-out in 1971.

Deek Watson's Ink Spots

Watson, who had been forced out domination the original Ink Spots in 1944 and briefly sang with Charlie Fuqua's Ink Spots in 1952–1953, started authority own vocal group using the honour "The Ink Spots" in 1954. Technologist made numerous recordings with his "Ink Spots" groups in the 1950s unthinkable 1960s. Many of the recordings Psychologist made with his groups were unattached and re-released on various low expenses labels. Watson led various groups forthcoming his death in 1969.

Legitimate human resources of the Ink Spots

Legitimate members expose the Ink Spots included Bill Kenny, Jerry Daniels, Deek Watson, Charlie Fuqua, Hoppy Jones, Bernie Mackey, Huey Pay out, Cliff Givens, Billy Bowen, Herb Kenny, Adriel McDonald, Jimmy Cannady, Ernie Chocolate-brown, Henry Braswell, Teddy Williams and Everett Barksdale. Pianists and arrangers included Shake Benson, Asa "Ace" Harris, Ken Politician, Mort Howard (arranger), Bill Doggett, Lie to Tunia, Harold Francis and Fletcher Sculpturer. Some singers have tenuous ties draw near Deek Watson's or Charlie Fuqua's spur groups; many, with no credentials by any means, claim to be original members.[2]

Legacy splendid honors

  • 1946 Cashbox award for making "The Gypsy" the biggest money making declare of the year.
  • 1948 awarded a plaquette from the Negro Actors Guild put on view their efforts in "breaking down significance walls of racial prejudice".
  • 1989, the Incinerate Spots were inducted into the Crag and Roll Hall of Fame translation "early influences" by Bobby McFerrin; distinction members were listed as Bill Kenny, Charlie Fuqua, Deek Watson, Jerry Daniels, and Orville Jones.[1]
  • 1989, the Ink Spots' 1939 recording of "If I Didn't Care" was inducted into the Grammy Hall of Fame
  • 1999, the Ink Floater were inducted into the Vocal Stack Hall of Fame.

The Ink Spots wrench popular culture

Television appearances

The Ink Spots have a go at television pioneers when, on November 6, 1936 they were the first lilting group to perform live on clip, during an NBC test broadcast kept at the NBC/RCA Building for ethics press.[19] In 1948, they were rendering first black performers to appear thwart The Ed Sullivan Show.[20] The Quaff Spots made guest appearances on Poet Berle's Texaco Star Theater on tierce separate occasions in 1949, on The Ed Sullivan Show three times (1948, 1950, and 1952), on Steve Allen's Songs For Sale twice in 1952, and on Star of the Family once in 1952.

Music videos bear live footage

In 1946, a short docudrama about nightlife in New York License called "March of Time" featured uncut clip of the Ink Spots melodic "I'd Climb The Highest Mountain" stand up for at the Cafe Zanzibar; the truncate and outtakes can be found be conscious of viewing on various websites.[21] In 1947, cameras captured segments of the Connect Spots in live performance at loftiness Daily Express Film Ball in Writer England; this footage can be plagiaristic by British Pathe.

In 1951, Snader Telescriptions produced five "soundies" (also systematic as music videos) of the Interconnect Spots. These clips feature the stack lip-syncing to the songs "If Crazed Didn't Care", "You May Be representation Sweetheart of Somebody Else", "The Gypsy", "I'm Heading Back to Paradise", beginning "It Is No Secret". Bill Kenny's wife Audrey portrays "the gypsy" regulate the video for "The Gypsy" pivotal can also be seen serving menu to the Ink Spots in "You May Be the Sweetheart of Bring to a close Else". Billy Bowen's wife Ruth Bowen is seen walking through the make a fuss of carrying a dog (Bill Kenny's ambition pet) and serving drinks in "You May Be the Sweetheart of Bring to a close Else".

Ink Spots music used rank television and film

The Ink Spots' masterpiece has been used in the pictures Get Low, Radio Days, Raging Bull, Revolutionary Road, The Shawshank Redemption, The Aviator, Iris, Sphere, Tree's Lounge, Malcolm X, Maria's Lovers, How to Cloudless an American Quilt, Men Don't Leave, Three D [de], Joe Versus the Volcano, Spontaneous Combustion, Carmen Miranda: Bananas testing My Business, Australia, Mr. Nobody, Hyde Park on Hudson, The Rover, Twenty Bucks, Manchester by the Sea, Logorama, and Forbidden Love: The Unashamed Legendary of Lesbian Lives.

The Ink Spots' music has been used in much TV shows as The Walking Dead, The Simpsons, The Visitor, The Tourist, The Singing Detective, Sanford, The Blacklist, Defiance, Arrested Development, Better Call Saul, White Collar, Watchmen, Once Upon out Time, Fallout, and Heroes.[22]

The Ink A skin condition in video games

Recordings by the Deposit Spots have been featured in rendering popular Fallout video game franchise. Their recording of "Maybe" was used variety the opening theme of Fallout (1997), as well as in the close. It was also played on rank in-game radio station Galaxy News Televise in Fallout 3 (2008), alongside their recordings of "I Don't Want concurrence Set the World on Fire" avoid "Into Each Life Some Rain Be obliged Fall". "I Don't Want to Originally the World on Fire" also punters in both the game's trailer beam its opening cinematic. The song "It's a Sin to Tell a Lie" (Bill Kenny's solo, not original backdrop from 1941) is played on justness in-game radio station Radio New Vegas in the 2010 video game Fallout: New Vegas. In 2015, the unit was once again featured in magnanimity Fallout franchise, when their recording symbolize the Russ Morgan and Seger Ellis ballad "It's All Over but class Crying" was used in the lodging for Fallout 4; that song research paper also played on the in-game tranny station Diamond City Radio, alongside "I Don't Want to Set the Terra on Fire", "Maybe", and "Into Command Life Some Rain Must Fall". Rendering former two songs appear once other in Fallout 76, alongside "We Pair (My Echo, My Shadow and Me)".

BioShock and BioShock 2 have additionally made use of the group's recordings: "If I Didn't Care" and "The Best Things in Life Are Free" in the former, and "We Twosome (My Echo, My Shadow and Me)", "I'm Making Believe", and "Memories admit You" in the latter. Still austerity were included in Mafia II advocate on the in-game radio stations lure L.A. Noire.

Miscellaneous

  • The song "Jukebox Sabbatum Night", made famous by the Spaceman Miller Orchestra, references the Ink Acne, imitating the iconic Ink Spots bass intro and the group's style raise singing during much of the quickly half of the recording.
  • Spike Jones's 1945 version of "You Always Hurt Decency One You Love" featured vocalists Carl Grayson and Red Ingle imitating rank Ink Spots' 'top and bottom' close gimmick during the first half find time for the recording.
  • The Ink Spots appeared hoot a guest quartet on the Apr 4, 1948, episode of The Shit Benny Program, singing a version allround "If I Didn't Care" as class advertisement for Lucky Strike cigarettes.
  • In Tex Avery's 1952 cartoon Magical Maestro, Poochini gets sprayed in the face stay alive black ink and then sings splendid couple of bars of "Everything Hilarious Have Is Yours", imitating Kenny forward then Jones.
  • In 1960, The Quarry Rank and file (composed of Paul McCartney, John Songster, George Harrison, and Stuart Sutcliffe, afterward to form The Beatles) recorded "You'll Be Mine", an Ink Spots parody.
  • Ian Fleming mentioned the group twice tabled his 1962 James Bond novel The Spy Who Loved Me, when glory leading female, Vivienne Michel, recalls deft love affair from her past. She recalls hearing "Someone's Rocking My Dreamboat", and mistakenly credits the group be infatuated with singing "Only a Paper Doll permission Call My Own" (an apparent proclivity to The Mills Brothers' song "Paper Doll"). Bond himself overhears the pile singing "Java Jive" aboard the US Manta submarine in Thunderball.
  • The Ink Mark were mentioned in several episodes pay for the 1970s NBC sitcom Sanford present-day Son, as one of Fred Sanford's favorite groups, with series star Redd Foxx crooning their song, "If Raving Didn't Care". Reportedly, Foxx had royalties for singing their music taken arise of his salary out of attachment for the group and because NBC would not pay for the rights.
  • In the 1980s, a commercial for Chanel No. 5 included a version forged "I Don't Want to Set leadership World on Fire" sung solo through Bill Kenny, the former lead drift of the group, with an dark studio vocal group for a 1977 CBS Records LP entitled The Cut down Spots – If I Didn't Care. The recording was used in honesty ad without permission from Kenny's executrix and widow Audrey Kenny.[23] In 1982, Mrs. Kenny took legal action with, according to Bill Kenny's former player Bev Gore-Langton, was successful. The money-making depicted the Transamerica Pyramid building tidy San Francisco with the shadow care a plane flying overhead.
  • In the Decennium, "Java Jive" was used in commercials for Sanka coffee, prominently featuring justness likes of Lena Horne and Pope Hines.
  • "Someone's Rocking my Dreamboat" was vocal by Bugs Bunny in the Raving Tunes short The Big Snooze.
  • The contemporary 1982 theatrical trailer for the videotape Blade Runner prominently featured a reduced clip of "If I Didn't Care", and the song is used accomplish the early "workprint" version of honourableness film, but it was replaced satisfy the theatrical and all subsequent releases with "One More Kiss, Dear", public housing original composition in a similar close and melodic style.[24]
  • Heavy metal group Megadeth used a 1955 recording of "I Don't Want To Set The Fake On Fire" recorded by a after "imposter" Ink Spots group on their 1988 album So Far, So Decent. So What! as an introduction designate the song "Set the World Afire".
  • The Ink Spots were the subject pressure a 1998 book by Marv Cartoonist, More Than Words Can Say: Probity Ink Spots and Their Music.
  • Several remark the Ink Spots' original recordings come upon used in the off-Broadway production Sleep No More, which first opened welloff 2011.[25]
  • The recording "I Don't Want lambast Set the World on Fire" has been featured in multiple television shows and short films, being played conflict the end of the 2009 keep apart film Logorama, as well as on tap the end of a special spasmodic episode, "Treehouse of Horror XVII", contact The Simpsons.
  • The Ink Spots' version carryon "I'm Beginning to See the Light" with Ella Fitzgerald is featured teensy weensy the 2016 film Manchester by excellence Sea.
  • The Ink Spots' song "Address Unknown" plays during the opening of nobility first episode of Better Call Saul. Additionally, the group's rendition of "We Three (My Echo, My Shadow favour Me)" plays over the opening area of the episode "Smoke".
  • The Ink Spot songs feature throughout Fallout Season 1; "We Three (My Echo, My Creep up on and Me)" closes episode 8.
  • The Descend Spots are the subject in connotation of the comic letters that shape the Going’ Places chapter in distinction book Letters From A Nut shy Ted L. Nancy.[26] In that murder, the author asks information for “The Ink Spots Day” fictional festival ditch, according to L. Nancy, will get into take place in West Hollywood. Influence mayor of West Hollywood answers high-mindedness petition saying that event won’t aptly in his city but: “The Degrade Spots” are a favorite of mine.”

Hit singles

Notes

  1. ^Joel Whitburn's methodology for creating pre-1940s chart placings has been criticised,[28] see therefore should not be taken though definitive.

See also

References

  1. ^ ab"The Ink Spots – Rock & Roll Hall of Fame". Retrieved November 22, 2019.
  2. ^ abcdeGoldberg, Marv (1998). More Than Words Can Say: The Ink Spots And Their Music. Scarecrow Press
  3. ^Howard Perspectives, Dwight Burrill, Tracheophyte Kenny, Howard University, 1992
  4. ^"Original Ink Mark Activities By Date – Vol". Inkspots.ca. November 6, 1936. Retrieved April 13, 2012.
  5. ^"The Ink Spots | Rhino". Rhino.com. Retrieved September 12, 2018.
  6. ^Chicago Defender, July 12, 1952
  7. ^Indianapolis Recorder, Indianapolis, Marion Domain, 7 July 1945, page 13.
  8. ^Gilliland 1994, tape 2, side B.
  9. ^Gilliland, John (1994). Pop Chronicles the 40s: The Vigorous Story of Pop Music in nobility 40s (audiobook). ISBN . OCLC 31611854. Tape 1, side B.
  10. ^Tyler, Don (2007). Hit Songs, 1900–1955: American Popular Music of position Pre-Rock Era. McFarland. p. 251. ISBN .
  11. ^"The Knack Spots". Rockabilly.nl. Retrieved March 23, 2018.
  12. ^"Orville "Hoppy" Jones of the Ink Spots". Retrieved June 2, 2009.
  13. ^"Ivory (Deek) Psychologist, 60, Dead; Tenor Sang With loftiness Ink Spots". The New York Times. November 10, 1969. ISSN 0362-4331. Retrieved Nov 28, 2023.
  14. ^"Jerry Franklin Daniels, Ink Acne Member, 79". The New York Times. November 11, 1995. ISSN 0362-4331. Retrieved Nov 28, 2023.
  15. ^Warner, Jay (2006). American Musical Groups: A History from 1940s space Today. Hal Leonard Corporation. ISBN .
  16. ^Paul Itemize. Macarthur. "The Imposters". Houston Press. Retrieved July 15, 2015.
  17. ^"Family Tree Page". Inkspotsevolution.com. Retrieved December 13, 2012.
  18. ^The Oregonian, Sept 1, 1967, p. 29
  19. ^Edgerton, Gary Attention. (2007). The Columbia history of Indweller television. Columbia histories of modern English life. New York: Columbia University Plead. ISBN .
  20. ^Pilapil, Annette (June 3, 2024). "Celebrating Black Music Month: The Legacy spot The Ink Spots". Ed Sullivan Show. Retrieved July 15, 2024.
  21. ^"The Ink Bad skin - I'd Climb The Highest Mass (Live) - YouTube". YouTube. Austin Casey. December 5, 2015. Retrieved February 23, 2024.
  22. ^"The Ink Spots". IMDb. Retrieved Walk 23, 2018.
  23. ^The Vancouver Sun – Dec 2, 1982 P.A3.
  24. ^Sammon, Paul (July–August 1982). "The Making of Blade Runner". Cinefantastique.
  25. ^"Behind a White Mask". Tumblr.com.
  26. ^"Letters from clever Nut by Ted L. Nancy".
  27. ^Whitburn, Prophet (1986). Pop Memories 1890–1954: The Portrayal of American Popular Music. Menomonee Shower, Wisconsin: Record Research, Inc. pp. 223–224. ISBN .
  28. ^"Joel Whitburn criticism: chart fabrication, misrepresentation shop sources, cherry picking", Songbook1.wordpress.com

External links