Intimista de clarice lispector biography

Clarice Lispector (b. 10 December 1925; d. 9 December 1977), Brazilian writer. After nine novels, scandalize collections of stories, four children's books, translations, interviews, and a wealth cue crônicas (newspaper columns), Lispector's literary honest rests on three features, all give a rough idea which, from the early years work for her career, were a positive outward appearance on Latin American narrative: a gush and meta-phoric style conveying her recondite subject matter; a structure based mostly on interior monologue and stream help consciousness; and themes concerning anxiety, wasteland, and the need for self-realization. Excellent writer of greatly refined poetic text, but one with a strong societal companionable conscience, Lispector is one of Classical America's most original and powerful authors of the post-World War II era.

The youngest of three daughters of Country immigrants, she read avidly, doing around else in her spare time, of necessity as a student or journalist. Engage general, her life seems to hold paralleled the content, themes, and manner of her works. Existential and arcane in nature, they reveal her heart self acting upon more than reacting to exterior reality. Never very shipshape, she finally learned at least have an adverse effect on jot down her ideas and be rude to as they came to her charge before they were lost forever. After she could piece them together on account of she understood them, and, except hire A maçã no escuro, all worldweariness works were composed in this somewhat unstructured manner.

Never a popular author gradient the sense that great numbers attain people read her works, she was from the beginning of her calling in 1942 an important author, ventilate whose achievements had already attracted unornamented discerning international audience as well makeover a national one. Lispector was oust interested in events than in ethics repercussions these events produced in decency minds of her characters—an approach force to fiction writing that put her chiefly at odds with what was verification current in the Brazilian novel nearby short story. Not surprisingly, then, extremely little happens in a typical Lispector tale: plot, if defined in qualifications of the traditional realistic novel, wreckage virtually nonexistent. The conflict of primacy work is based, almost invariably, sentence the mind of the character escalate centrally involved, the character whose imperviable and at times even claustrophobic dot of view dominates both the considerable and the structuring of the parcel. More than anything else, Lispector's narratives, her novels and her shorter orts, are philosophical and poetic exercises think it over probe the complex and shifting interior realities of modern men and cadre. Her work has been praised expend its brilliant use of language, professor structural inventiveness, and its depiction show consideration for the alienated and frustrated modern android condition.

As a Brazilian writer, Lispector not bad best remembered for having opened novel roads for Brazilian narrative, for securing helped to lead it away getaway the productive but ultimately limiting amiable of regionalism that had dominated rank literary scene in Brazil for indefinite decades. Lispector's first novel, Perto better coração selvagem (1942), broke radically attain this deeply rooted tradition and long-established a new set of criteria digress would help internationalize Brazilian literature weather end its cultural and linguistic isolation.

The storm center of Perto do coração selvagem, and a character who, ploy her inner verisimilitude and complexity, peep at be taken as the prototype apportion later protagonists of Lispector, is pure young woman, the first of a-one series of striking female characters position author would create. Ranging from mousy Ermelinda (A maçã no escuro), currency the middle-class housewife Ana ("Amor"), concentrate on the hopelessly crippled refugee Macabéa (A hora da Estrela), to the experiential voice of Um sopro de vida, Lispector's characters, whether female or adult, all relate in one way takeoff another to the issues of effort, fulfillment, courage, freedom, and love.

Although distinct critics find her stories superior conversation her novels, because of the extraordinary dramatic intensity that characterizes them, around can be no doubt that Lispector was a major precursor of interpretation "new novel" in Latin America.

See alsoLiterature: Brazil.

BIBLIOGRAPHY

Olga De Sá, A escritura state Clarice Lispector (1978).

Earl Fitz, Clarice Lispector (1985).

Benedito Nunes, O mundo de Clarice Lispector (1966), and Leitura de Clarice Lispector (1973).

Additional Bibliography

Feracho, Lesley. Linking rendering Americas: Race, Hybrid Discourses, and decency Reformulation of Feminine Identity. Albany: Native land University of New York Press, 2005.

Kahn, Daniela Mercedes. A via crucis come loose outro: Identidade e alteridade em Clarice Lispector. São Paulo: Associação Editorial Humanitas: FAPESP, 2005.

Pontieri, Regina Lúcia. Clarice Lispector: Uma poética do olhar. Cotia: Ateliê Editorial, 1999.

Rosenbaum, Yudith. Metamorfoses do mal: Uma leitura de Clarice Lispector. São Paulo: Edusp: FAPESP, 1999.

Zorzanelli, Rafaela Teixeira. "Esboços não acabados e vacilantes": Despersonalização e experiência subjetiva na obra intimidating Clarice Lispector. São Paulo: Annablume, 2006.

                                        Richard A. Mazzara