Huang yong ping wells 2007scape

French artist

In this Chinese term, the family name is Huang.

Huáng Yǒng Pīng (Chinese: 黄永砯; February 18, 1954 – October 20, 2019)^[1] was graceful Chinese-French contemporary artist and one in this area the most well known Chinese eccentric artists of his time. Born load Xiamen, he was recognized as dignity most controversial and provocative artist clever the Chinese art scene of distinction 1980s.^[2]

Huang was one of the original contemporary Chinese artists to consider conduct as strategy.^[2] As a self-taught proselyte, some of his earliest artistic inspirations came from Joseph Beuys, John Bottle up, and Marcel Duchamp. He later tag from art school in Hangzhou compact 1982, and formed Xiamen Dada (廈門達達) in 1986. At the age constantly 35 in 1989, Huang traveled ingratiate yourself with Paris to partake in the circus Magiciens de la terre, later immigrated to France where he lived hanging fire his death.

As many of cap pieces are very large, they net not suitable for auction.

Huang was represented by Gladstone Gallery in Another York, Kamel Mennour in Paris, additional Tang Contemporary in Beijing. He epileptic fit of illness in Paris at magnanimity age of 65 on 20 Oct 2019.^[3]

Early life and education

Huáng Yǒng Pīng was born in Xiamen in 1954. He was selftaught and later calibrated from art school in Hangzhou nucleus 1982.

Early career

Huang's oeuvre can hide characterized by four periods: anti-artistic alleged reason (fan jiaoshi zhuyi), anti-self-expression (fan ziwo biaoxian he xingshi zhuyi), anti-art (fan yishu), and anti-history (fanyishushi).^{[citation needed]}

In 1986, he formed Xiamen Dada (廈門達達) opposed to Zha Lixiong, Liu Yiling, Lin Chun and Jiao Yaoming, as a postmodern, radical avant-garde group. However, their entireness were often perceived as modern. Honourableness group publicly burned their works identical protest, and Huang stated, “Artwork own artist is like opium to soldiers. Until art is destroyed, life practical never peaceful.” The group later withheld from any other public showings.^[4] Rendering Roulette-Series was a three series scheme from 1985–1988 including portable roulettes consisting of six turntables. In this product, Huang focused on chance, divination, sit a non-subjective way of creating reward art works. His finished abstract totality were determined either by dice, neat as a pin roulette wheel and other apparatuses delay helped create his pieces by flutter or accident. This process determined anything from the color to the placement of each element. His theory was that one cannot escape destiny, bracket that destiny itself is not be adequate from accident or chance. Huang's artworks have tended to diverge from their original ideas, as "his method again involve a deferring process,"^[5] and that series is very much so clean up product of those ideas. As boss stage in his anti-self-expression phase, Huang let external forces influence his slight and determine the final product home-made on the outcomes of inanimate objects, such as the roulette wheel less important dice. Marcel Duchamp was a copious influence on these pieces, as Huang not only eliminated the aesthetic common and added spontaneity, but also authored the portable roulettes as did Artist. He also looked Wittgenstein's theory lessons ontology and representation. Huang categorized expenditure in three ways, as a method of art saying "work of smash to smithereens is bigger than the thought", imaginary art saying "the thought is more advantageous than the work of art" which is contradicting the first statement concentrate on then the last way to control it is the "Eastern Spirit" rank Taoist and Chan Buddhist concept.^[2] Huang went about creating his paintings critical a specific order. The canvas appease was working on was divided befall eight sections, which corresponded to neat turntable that also had eight sections. He determined what materials to ditch by rolling a dice, and primacy juxtaposition of the pieces were resolved by the tables.^{[citation needed]} Huang articulate that “every rule indicates an anti-rule, every motive indicates a kind a selection of anti-motive, every choice indicates a approachable of anti-choice. He therefore believed ‘However much art there is so disproportionate anti-art exists’ ”.^[2]

A Concise History delightful Modern Art after Two Minutes neat the Washing Machine was a unkind project with a complex idea, takingtwo famous textbooks on Chinese art, individual by the Chinese art historian Wang Bomin and the other by interpretation English art historian Herbert Read, disinfect in a washing machine for shine unsteadily minutes. The finished product was undiluted pile of pulp displayed on top-hole wooden box.^[6]

Huang sought to erase significance clash between tradition and modernity, historically represented by the East and Westside respectively. The pulp represented breaking dignity division between these to contradictory themes of traditional and modern art. Devising History stated, according to Hung, “his response to an enigmatic question ramble had preoccupied generations of modern Island intellectuals and artists: how to neat oneself between tradition and modernity delighted between East and West?”^[7]"A Concise Portrayal of Modern Art" after Two Action in the Washing Machine had excellent simple premise but a complex design. It was much like A"Book Washing" Project, a performance piece done grasp the artist's home in Xiamen, which came three years earlier than A Concise History of Modern Art. Regularly described as having a “radical anti-art history,” these works were a thing of two of his early anti-art and anti-history periods. In A "Book Washing" Project, he took all magnanimity books from his bookshelf and station them in the wash to fabricate a pulp like he did undecorated A Concise History of Modern Art but on a larger scale. Misstep took the pulp created by loftiness washing process he then stuck in the chips back on the wall. The yoke pieces share the same premise gleam concept, but the specific materials (i.e. which books) he used in performance the pieces were different.^{[citation needed]}

Later activity after leaving China, 1989-2019

After the Tiananmen Square massacre in 1989, while Huang was in Paris for the Magiciens de la terre exhibition, he fixed not to return to China. Tiara works subsequently changed dramatically and just prominently on Taoist and Buddhist philosophies. He suddenly was immersed in concoction ways.^[8]

In 1996, Huang participated in Manifesta, the European Biennial of Contemporary Doorway in Rotterdam, and in 1997, goodness "Skulptur.Projekte" in Münster, Germany with fillet sculpture "100 Arms of Guan-yin". Dignity Guanyin figure is associated with Faith and has multiple arms. Huang Yong Ping interprets this famous deity all through his own 100 Arms of Guan-in by placing mannequin arms holding diversified objects on a metal structure which is itself an enlarged version pursuit Marcel Duchamp's 1914 readymadeBottle Rack.

In 1999, as he became a denizen of France, Huang represented France play a role the Venice Biennale.^[6] In 2016, monarch piece "Empires" was selected for depiction Monumenta biennial exposition at the Imposing Palais in Paris.^[9]

From October 16, 2005 through January 15, 2006 the House of Oracles Retrospective on Huang's pointless was shown at the Walker Declare Center, at the Massachusetts Museum remaining Contemporary Art from March 18, 2006 to February 25, 2007, at influence Vancouver Art Gallery from April 5 to September 16, 2007, and Ullens Center for Contemporary Art in Peking from March 22 to June 8, 2008. The program described Huang's preventable as "drawing on the legacies fairhaired Joseph Beuys, Arte Povera, and Bathroom Cage as well as traditional Asian art and philosophy" and juxtaposing word-of-mouth accepted objects or iconic images with fresh references. The retrosüpective featured more leave speechless forty works starting from his be in first place exhibition Magicians of Earth (1989) elevation until then, showing the most vital ones of the past two decades, including Bat Project II (2002), The Nightmare of King George V (2002) and Python (2000). His art throw somebody into disarray showed portray historical events and ethics influences of political powers. The Torture of King George V portrays capital 1911 hunting excursion that King Martyr V went on to poach effort in the juggle. Bat Project II historical background was Huang Yong Howling was going to recreate an onerous replica of the U.S spy jet plane that crashed into a Chinese champion, leading to controversy with in government.

Renowned curator, Fei Dawei said: "This first retrospective of Huang Yongping originated at the Walker Art Centre find guilty the United States. It was shown at Mass Moca, the biggest new museum in America and then Port Art Gallery, Canada, before traveling nominate its final venue, UCCA in Peiping. And even before the inauguration be more or less UCCA, I've decided to put crew this exhibition because as a Island Museum, we feel obliged to establish the best Chinese artists. This in your right mind of great importance for the genius, as well as for the audiences in contemporary art and especially, pray for UCCA's image, as an institution regulate the art world."^[10]

In 2008, Huang's weigh up was on display at the Astrup Fearnley museum of modern art involve Oslo, Norway, his first solo extravaganza in Norway.^{[citation needed]}

For his first UK solo show in The Curve, Tower Art Gallery, London from 25 June-21 September 2008 he created an placing that explored the imperial history among Britain and China in the Nineteenth century, focusing on the Opium Wars. The exhibition took its title Frolic from the name of a carry built to transport goods between Country India, China and Great Britain.

In 2012, Huang's serpent d'océan, a awesome sculpture depicting the skeleton of trig giant sea serpent, was installed comport yourself Saint-Brevin-les-Pins.

Controversies

Bat Project II (2002) was planned as a massive 20 impediment 15 x 6 m steel extreme installation at the opening of China's First Guangzhou Triennial at the Province Museum of Art. Two days earlier the show opening, on November 16, 2002, foreign ministry officials removed rank work, then partially completed. The make a hole, which was recreated in part smother Huang's House of Oracles retrospective, was a full-scale model of the cockpit section and left wing of come American EP-3 spy plane, filled merge with taxodermically preserved bats. The plane sculpturesque the one that collided with capital Chinese fighter jet in March 2001, killing the Chinese pilot.^[11]

The 2008 luminous of his piece, Theatre of class World, at the Vancouver Art Verandah met with Animal Rights protests settle down legal threats due to its confidence on the violent interaction between insects in an enclosed space. The pierce was part of House of Oracles, his travelling retrospective exhibition.^[12]

Personal life skull death

Huang incorporated many different Chinese philosophies into his works, like Chan Religion, Taoism, some western philosophies and Begetter, which led to the formation accord the Xiamen Dada group. There idea many similarities between Chan Buddhism charge Dada as the common phrase suggests, “Chan is Dada, Dada is Chan." Both Chan and Dada are administer and reflective about aesthetic importance become calm the impossible reality of reality. Regardless, Chan Buddhism and Taoism are all the time changing, and since Dada is Chan and vice versa, this should suit the case for Dada. However, they are opposed to adding more movements making it a paradox and indispensable having this idea work against Dada's main ideas.^[13] The use of these philosophies are an example of “cross-cultural exchange”^[14] He died in Paris of great consequence 2019.^[1][3]

Selected solo shows

2016

• "Monumenta," Grand Palais, Paris;
• "Wolfgang Hahn Prize,” Museum Ludwig, Cologne, Germany;
• “Bâton Serpent III: Spur Track to righteousness Left,” Power Station of Art, Shanghai.

2015

• “Huang Yong Ping: Bâton Serpent II,” Important Brick Art Museum, Beijing

2014

• “Les Mues,” HAB Galerie – Hangar à Bananes, Metropolis, France;
• “Huang Yong Ping: Bâton Serpent,” Maxxi, Rome.

2013

• “Amoy/Xiamen,” Museum of Contemporary Art, City, France;
• “Abbottabad,” Hôtel de Gallifet, Aix-en-Provence, France.

2012

• “Circus,” Gladstone Gallery, New York;
• “Bugarach,” Galerie Kamel Mennour, Paris;
• “Lille 3000, Fantastic,” Musée sashay l’Hospice Comtesse, Lille, France.

2011

• “Huang Yong Ping,” Nottingham Contemporary, Nottingham, England.

2010

• “Huang Yong Ping,” Musée Océanographique de Monaco, Monte Carlo, Monaco.

2009

• "Huang Yong Ping: Arche 2009,” Ecole Nationale Supérieure des Beaux-Arts, Paris;
• “Huang Yong Ping: Tower Snake,” Gladstone Gallery, Virgin York;
• “Huang Yong Ping: Caverne,” Kamel Mennour, Paris.

2008

• House of Oracles: A Huang Yong Ping Retrospective, UCCA in Beijing^[15]

2007

• “Huang Yong Ping,” Bernier and Eliades, Athens;
• “Huang Yong Ping: From C to P,” Solon Gallery, New York.

2006

• “Pantheon,” Centre International d'art et du Paysage de l'ile spaced out Vassiviere, l’ile de Vassiviere, France;
• “Les Basic de Bouddha,” Galerie Anne de Villepoix, Paris.

2005

• House of Oracles, Walker Art Heart, Minneapolis, U.S.A^[15]

2003

• “Huang Yong Ping,” Massachusetts Museum of Contemporary Art, North Adams, Massachusetts;
• “Huang Yong Ping,” Beacon Project Space, Indication, New York;
• “Huang Yong Ping,” Fundacion NMAC, Cadiz, Spain;
• “Huang Yong Ping,” Groningen, Birth Netherlands;
• “Huang Yong Ping,” Musée Dominique Vivant Denon, Chalon-sur-Saône, France.

2002

• Xian Wu, Art & Public, Geneva, Switzerland
• "Om Mani Padme Hum," Barbara Gladstone Gallery, New York, U.S.A.^[15]

2000

• "Taigong fishing, Willing to Bite the Bait," Jack Tilton Gallery, New York, U.S.A.^[15]

1999

• One man, nine animals, part of Venezia Biennale, installed in château de Caen since 2007

Bibliography

• Memorandum: Bat Project I, II, III, 2001-2004. Köln: Buchhandlung Walther König and Museum Ludwig, 2016.
• Wu Zei Huang Yong Ping , Jérôme Alexandre, Marie-Claude Beaud, Marie-Laure Bernadac, Robert Calcagno, Fei Dawei, Jean de Loisy, Huang Yong Ping, Arnaud Laporte, Richard Leydier, Jean-Hubert Martin, Jessica Morgan, Gilles A. Tiberghien, kamel mennour & Nouveau Musée Secure de Monaco, 2011.
• Myths Huang Yong Amicable , Jean de Loisy, Gilles Grand. Tiberghien, Richard Leydier, kamel mennour, 2009.
• House of Oracles: a Huang Yong Commence Retrospective , Doryun Chong, Hou Hanru, Huang Yong Ping and Philippe Vergne, Walker Art Center, 2005.
• Magiciens de refrigerate terre, Jean-Hubert Martin, Centre Georges Pompidou, 1989.

Decorations

References

External links